maritimo: (reviews)
oh lord here we go again


Vinegar-infused annihilation
first of all my god i just googled baby teeth to get the synopsis and got attacked by a bunch of triggering images of actual teeth. gonna drop the synopsis and then start my complaints

 
Meet Hanna.
 
She’s the sweet-but-silent angel in the adoring eyes of her Daddy. He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.
 
Meet Suzette.
 
She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.
 

to no one's surprise i found this book on tumblr. it was in one of those compilation posts about certain themes that i always hate and baby teeth was along side like... succession screenshots, sharp objects and we need to talk about kevin. i don't even remember what quote was chosen for the post but i remember thinking like sure i'll give this a shot!! i enjoy stories about like mundane cruelty and stuff like that and i dont give a fuck about reading about like animal abuse or whatever so!

to start off, there was not enough violence. the book alternates between the POV of the mom and the daughter, and it was very interesting to see how zoje stage built hanna's evil child mind to be honest. the whole conflict is that she loves daddy and hates mommy, thinks mommy is a witch putting a spell on daddy to make him not love hanna. so she must die! she's like manipulative and violent and gaslights suzette as per usual, but severely delusional and detached from reality. because she's 7 years old.
 

the book is like... slow paced i guess. things happen but theyre mostly minor things, just to get you settled in on The Vibes all the time. here comes the thing i hated most about the book: so. many. flashbacks. i believe the first like 15 suzette chapters have 3 pages segments that start off with "When she was a teenager," just to make sure you haven't forgotten suzette is traumatized. she has crohns disease, and i felt like there was just too much of it in it... it's hard to really say bc on one hand i understand that this character really did not have a lot going on for her besides chronic illness, parental neglect and loving her husband a lot. but the flashbacks really get too much, so much retelling of the same things: her being sick, her mom not really caring, her being sick, her not being able to connect with her mom. at first i enjoyed it bc it did let us understand suzette more and what causes her neuroticism and parenting style but my god!!!!! i just felt like screaming sometimes Please tell me what is happening in the present!!!!!!!

hanna's pov was ummmmm good at times, but the book basically being 50/50 was A Choice. she's a seven year old, she wants the lamp to become a monster and swallow the other children at daycare bc she hates them. okay... at points knowing what was going on inside hanna's mind just made you less scared for suzette, specially bc hanna is written very Realistically so it's hard to really feel that something might seriously go wrong. also a lot of hanna's story is that she believes she summoned a witch burnt at the stake to help her defeat mommy. sure.

my other point is that not enough evil happens. there are some good stuff though. hanna tricks another kid into hitting his head against the wall so hard he bleeds. hanna makes a collage of photos of dead bodies and one of her mom asleep. she swaps her mom's pills content for flour. she tries to set suzette on fire. the last two were sooo disappointing, because hanna is a child and they don't work out the way she wants them to: suzette notices she's feeling bad in like 3 days and then switches meds, obviously she doesn't catch on fire but gets some parts of her body burnt. very frustrating i can't lie.

the book is more about like the existencial horror of being a parent, and in this case regretting being a parent. the first half is good at making you feel as nervous as suzette does, specially bc no one believes her when she says that hanna is evil. but barely anything happens, the story doesn't force you to read taboo and abhorrent things aside from the one scene where hanna simulates sex to torment her mother. there's not enough uncomfortableness and stomach turning for a novel that says its psychological horror lmfaooooo.

the ending was like... it was good to me considering that the book is boringly realistic. parents are smarter than a 7 year old so they send her to a facility. there's some stuff about parenthood and being free of your child and the guilt that comes with it but like idk... i didn't consider it anything groundbreaking. the last chapter made me LOL so hard bc its hanna talking to her doll that she swears has a consciousness or whatever and shes like we'll do whatever it takes to get out of here... ill become the bestest girl ever... were we supposed to fear for suzette's future when most of hanna's evilness comes from childish imagination?? seriously?? i found it hard to believe and be affected by it.

the writing is like fine i didn't exactly mind it, although there was a really funny paragraph while suzette was doing her compulsive cleaning of the stairs: "Her wet rag demolished a universe, one step at a time. Worlds that would never grow. Forests that would never mature. Vinegar-infused annihilation. At least in one area of her life she was powerful and divine. She worked in the only direction she could go. Down." GIRL WHAT????? another incredibly funny thing to me is that the dad is like son of swedish immigrants?? so theres a lot of mentions of swedish culture and TONSSS of swedish lines that i didn't bother translating and imagined them to be like "i love you". so random.

overall this was a 2/5 book. engaging enough that i finished, and it did intrigue me and i wanted to see where the plot was headed, but incredibly underwhelming and some wasted potential. sorry zoje stage.


maritimo: (reviews)
first of all i loved it... i was half expecting having to pull through at least some of the book but it really was overall enjoyable and this is coming from someone who is relearning how to read. highsmith is insane etc etc. i'm gonna try not to say too much just because i've barely organized my thoughts about it and i really want to share quotes mostly.

i loved therese... i'm a very big fan of the 'young unknowngly selfish girl' trope apparently. she is soooo fucked up and kind of horrible at times but she is allowed because i love her. i specially liked the parts where carol was like "actually, [starts listing therese's faults]" it was always funny and refreshing TO ME. and the way you can tell that what therese is thinking is fucked up and just plain wrong but you also get why she assumes the things she does... genius. all the expectations she projects onto carol are soo delicious... "if carol doesnt stand her ground like i know she can i will be disappointed" and such things...

all the mommy/girl vibes were excellent i feasted on them. i love lesbian age difference i don't give a fuck... also T__T i really was convinced that they were meant to be together and i was tearing up in the subway reading the part where therese turns carol down... im soooo glad that they actually got a happy ending it made me emotional not gonna lie.

overall it's probably one of my favorite books and possibly in my top 3 gay books ? i don't actually read gay novels as much as i should though so maybe that's why. time to quote dump! i'm too lazy to contextualize a lot of them so if you know you know. i only started highlighting shit after 1/3 of the book though thats on me </3.


How would its salt come back?
She looked at the chunky figures of the two Italian workmen standing at the bar, and at the two girls at the end of the bar whom she had noticed before, and now that they were leaving, she saw that they were in slacks. One had hair cut like a boy's.
Therese looked away, aware that she avoided them, avoided being seen looking at them. (p. 83)

Half an hour later, Therese saw Carol look up at them from a table near the center of the room, and almost like the first time, like the echo of an impact that had been tremendous, Therese was jolted by the sight of her. (p. 84)

If Carol had to go home now, Therese thought, she would do something violent. Like jump off the Fifty-ninth Street Bridge. Or take the three benzedrine tablets Richard had given her last week. (p. 85)

It was so easy for a man and woman to find each other, to find someone who would do, but for her to have found Carol— (p. 89)

"They called me up. They want somebody from Philadelphia."
"Oh, baby. I'm sorry."
"Oh, it's just this business," Therese said. Carol's hand was on the back of her neck, Carol's thumb rubbing behind her ear as Carol might have fondled a dog. (p. 94)

Therese took a sip from Carol's half-finished coffee on the kitchen table, drank from the place where the lipstick was. (p. 100)

"I wonder if you'll really enjoy this trip," Carol said. "You so prefer things reflected in a glass, don't you? You have your private conception of everything. Like that windmill. It's practically as good as being in Holland to you. I wonder if you'll even like seeing real mountains and real people." (p. 102)

"My little orphan," Carol said.
Therese smiled. There was nothing dismal, no sting in the word when Carol said it. (p. 107)

"What're you standing there for?" Carol asked. "Get to bed, sleepyhead."
"Carol, I love you." (p. 109)

Then she kissed Therese on the lips, as if they had kissed a thousand times before. (p. 109)

And she did not have to ask if this were right, no one had to tell her, because this could not have been more right or perfect. (p. 110)

"My angel," Carol said. "Flung out of space." (p. 110)
 
She watched the land and the sky for the meaningless events that her mind insisted on attaching significance to, the buzzard that banked slowly in the sky, the direction of a tangle of weeds that bounced over a rutted field before the wind, and whether a chimney had smoke or not. (p. 129)

Carol was crying, silently. Therese looked at the downward curve of her lips that was not like Carol at all, but rather like a small girl's twisted grimace of crying. She stared incredulously at the tear that rolled over Carol's cheekbone. (p. 131)

She had seen just now what she had only sensed before, that the whole world was ready to be their enemy, and suddenly what she and Carol had together seemed no longer love or anything happy but a monster between them, with each of them caught in a fist. (p. 134)

"Though all we have known is only a beginning. I meant to try to tell you in this letter that you don't even know the rest and perhaps you never will and are not supposed to— meaning destined to." (p. 148)

"[...] that the rapport between two men or two women can be absolute and perfect, as it can never be between man and woman, [...]" (p. 149)

Now the same kind of street filled her with a tense excitement, made her want to plunge headlong into it, down the sidewalk with all the signs and theater marquees and rushing, bumping people. (p 159)

"Anyway, it's a living and I'll like it. The apartment's a nice big one—big enough for two. I was hoping you might like to come and live with me, but I guess you won't." (p. 162)

Once that had been impossible, and had been what she wanted most in the world. To live with her and share everything with her, summer and winter, to walk and read together, to travel together. (p. 163)

And now she saw Carol's face changing, saw the little signs of astonishment and shock so subtle that perhaps only she in the world could have noticed them, and Therese could not think for a moment. (p. 163)

Therese knew suddenly that Genevieve Cranell would never mean anything to her, nothing apart from this half hour at the cocktail party, that the excitement she felt now would not continue, and not be evoked again at any other time or place. (p. 166)

The air was cool and sweet on her forehead, made a feathery sound like wings past her ears, and she felt she flew across the streets and up the curbs. Toward Carol. And perhaps Carol knew at this moment, because Carol had known such things before. (p. 167)

Carol raised her hand slowly and brushed her hair back, once on either side, and Therese smiled because the gesture was Carol, and it was Carol she loved and would always love. Oh, in a different way now, because she was a different person, and it was like meeting Carol all over again, but it was still Carol and no one else. It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell. (p. 167)

and that's it! sorry for basically telling the whole book through quotes i couldn't resist myself, and i even cut a bunch of highlights that were some same scenes. <3 getting emotional again.
maritimo: (reviews)
 hello. it's been a while since i last posted and i've been meaning to talk about this book since i finished like two weeks ago, but got lazy lolol. spoiler warning for everything of course, i'm gonna be going through whatever i feel like so. also i don't know how to organize my thoughts very well so please don't mind this mess. here goes book review of handling the undead by john ajvide lindqvist.

welcome )

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